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The Spanish Civil War was a period of great political turmoil and upheaval in Spain. The war broke out on July 17, 1936, when a conservative military group led by the generals Emilio Mola and Francisco Franco tried to overthrow the country’s democratically-elected republican government. Political and social tensions had been building in Spain for years prior to the actual revolt.

The military rebels expected an easy win and were surprised to encounter a huge popular resistance, especially in more densely populated areas. In a very short time, Spain was split in half, with one zone controlled by the government, or the Republicans, and the other by rebels, known as the Nationalists. Three years of bloodshed and fighting followed. General Franco quickly emerged as the commander of the Nationalist side, facing the Republican leaders of President Azaña, Prime Minister Largo Caballero, and Prime Minister Negrín. The war eventually ended with a Nationalist victory on April 1, 1939, with an estimate 500,000 and Franco would rule Spain as dictator until his death in 1975.

Not surprisingly, numerous books, pamphlets, and periodicals were published during the war, covering both sides of the conflict in real time, as well as international observations on the war and statements of solidarity and sympathy with one side or the other. Here at Bernett Rare Books, we currently have a collection of Spanish Civil War publications which reflect both the Republican and Nationalist sides of the struggle, as well as international sympathies with and coverage of the war. The following three titles were all published in Spain during the war:

    Gómez Aparicio, Pedro. ¡A Bilbao! Estampas de la Guerra en Vizcaya. Granada: Librería Prieto (Ediciones Imperio), 1937. Octavo (17.5 x 12.2 cm). Original color printed wrappers; 354 pp., illustrated. Some light wear and soiling to covers, mild browning to pages, overall very good. (52999) $1,750

 

 

 

The first edition of the work by the Spanish journalist Pedro Gómez Aparicio (1903-1983). Born in Madrid, Aparicio served as the President of the Asociación de la Prensa de Madrid, served as deputy director of the Agencia EFE, and was awarded several prizes and medals for his work. He served as editor-in-chief of the newspaper El Debate, of the magazine Mundo, and was the founder and first director of the Granada-based newspaper El Ideal. He also worked as a professor of journalism and was awarded a Medalla al Mérito en el Trabajo personally by Franco. During the first two decades of Francoism, Aparicio was given his own radio commentary show on Radio Nacional de España, which was broadcast together with the news report. He was popularly known as “Pedrogo”. Prior to these years, during the Second Republic, he was an outspoken critic of the regime, which caused him to come up against issues of censorship. When the war broke out, he moved to Burgos and served as a war correspondent for the rebel troops.

This volume is dedicated to General Franco and all of those who fight, and sets out to cover the campaign in the north of Spain. It is divided into sixteen chapters laid out in a table of contents at the back. There are scattered laid-in illustrations from photographs of soldiers and civilians, and one fold-out map with tissue paper overlay showing the March 30th offensive.


ABC. Diario Ilustrado. Edición de Andalucia. No. 10340 (18 Julio 1936) through No. 11181 (2 Abril 1939). Approximately 841 issues total bound in 32 volumes of the Seville edition of the long-running conservative Catholic and monarchist Spanish journal, covering the period of the Spanish Civil War, being the majority of years XXXII through XXXV of the journal’s publication, with 5 volumes for 1936, 12 each for 1937 and 1938, and 3 for 1939. Quarto (12 1/2 x 9 1/4 inches). Cloth-backed boards with gilt-stamped title, month, and year to spine. Light rubbing and abrasions to covers, some light scattered toning and foxing to interior, overall very good. Sevilla, 1936-1939. (53365) $15,000

ABC was founded in Madrid in January 1903 by Torcuato Luca de Tena y Álvarez-Ossorio and published by Prensa Española, and in October of 1929 the Seville edition began publication. Over the years, 11 different editions have existed, although Madrid and Seville are the primary two.

Shortly after the outbreak of the Spanish Civl War, ABC Madrid was seized by the republican government, and the newspaper changed its politics to support the Republicans. ABC Sevilla, on the other hand, was supportive of the Nationalists. After the war ended, ABC Madrid was given back to its original owners by Franco, under whom ABC became the best-selling newspaper in Spain. As late as 2005, it was still the third-best-selling newspaper in Spain, and the oldest in Madrid. Publication continues to this day. Many of the issues have bold photographic or illustrated covers, some with photocollage, while many of the later issues have very few or no illustrations. An important publication providing a Nationalist perspective from the critical years of the Spanish Civil War. Scarce institutionally.

 

SRI: El Camino de la Solidaridad. Unpaginated [40 pp.] magazine published during the Spanish Civil War by the Socorro Rojo Internacional (SRI, or International Red Aid), profusely illustrated. Small tabloid (14 1/2 x 10 5/8 inches). Original photomontage illustrated saddle-stitched wrappers. “Numero Gratuito” rubber-stamped to top of front cover, some light edgewear and minor chipping, crease along horizontal fold, light dust-staining to margins, overall very good. Madrid: Editorial Estampa, 1937. (53505) $1,500

This scarce Spanish-language magazine was a one-off publication, issued just six months after the start of the Spanish Civil War. It was published on behalf of the SRI (Socorro Rojo Internacional, or International Red Aid), a Spanish-Soviet organization formed by the Comintern, or Communist International, in 1922. The SRI was created to function as a sort of international Red Cross, independent of any religious organization, and in Spain was mostly involved in aid activities in the Republican zone, such as creating and running refugee camps, soup kitchens, libraries for soldiers, mobilization of dentists to the front, organization of charity drives for food and clothing, transportation networks between hospitals and the front, and the repurposing of various buildings into field hospitals, blood banks, and makeshift schools. Many of their activities had children as a central focus. (The Visual Front: Posters of the Spanish Civil War from UCSD’s Southworth Collection, 1998)

This publication highlights the SRI’s involvement in relief efforts. There are photo essays regarding sanitation work, the establishment of blood banks in Madrid and the provinces, dentistry work, the establishment of schools and children’s homes, refugees, and even reproductions of propaganda. There are many images which show the human cost of war, especially women and children affected by the fighting. The front cover features a photomontage designed by Spanish artist and graphic designer Ricardo Yesares Blanco, who signed his works “YES”. Scarce institutionally; as of June 2025, OCLC locates only two physical holdings at North American institutions.

 

 

Additionally, we have in our inventory two important publications from abroad, covering the war in great detail. The first of these was published in Paris for much of the duration of the war. Occident: Le Bi-Mensuel Franco-Espagnol. Year I, no. 1 (25 October 1937) through Year II, no. 39 (30 May 1939) (all published). Paris: Imprimerie Georges Lang, 1937-1939. Folio (58.5 x 38.5 cm). 1/2 leather with marbled boards, original illustrated newsprint self-wrappers bound in; each issue approximately 8 pp. Evidence of previous folds, some light abrasions and edgewear to boards, minor splitting to leather along spine, very minor toning, overall very good. (50048) $8,500

 

 

A complete run of all 39 issues of the Paris-based periodical, in tabloid format, dedicated to the solidarity of the French and Spanish people during the Spanish Civil War. This cultural journal contains articles by noted international cultural figures on various aspects of the war, Spanish culture, French interests in Spain, and other subjects, and is profusely illustrated throughout after photographs, caricatures, political cartoons, reproductions of posters, etc.

The fourth issue contains the “Manifest aux intellectuels espagnols”, a manifesto in support of General Franco and Franco’s Spanish intellectuals, signed by intellectuals from various right-wing factions. The scarce serial presents a compendium of in-depth articles and political analysis, but is perhaps most impressive for its rich trove of visually arresting images, with many photographs showing the destruction wrought during the war.

 

 

The second is a two-volume set issued by a prominent Soviet writer, journalist, and revolutionary. Ehrenburg, Ilya. (Erenburg, Il’ia.). Ispaniia. 2 volumes (102, 151 pp.), subtitled “UHP – Do 18 Iiulia 1936 Goda” (Until July 18, 1936) and “No Pasaran! – Grazhdanskaia Voina, Iiul’-Dekabr'” (The Civil War, July-December), profusely illustrated throughout. Large quarto (12 1/8 x 8 7/8 inches). Original embossed cloth, volume 2 with mounted title illustration. Some light rubbing and minor soiling to clovers, cover illustration to volume 2 slightly browned and rubbed, light toning and foxing throughout, a few spots of minor marginal damp-staining, first volume with handwritten inscription to front flyleaf, overall very good. Moscow and Leningrad: IZOGIZ/State Publishing House for Fine Arts, 1937. (53443) $8,500

Ilya Ehrenburg (1891-1967) was a prolific Soviet writer, journalist, translator, revolutionary, and prominent member of the Jewish Anti-Fascist Committee, who became first known for his reporting during WWI, WWII, and the Spanish Civil War. During the Spanish Civil War, he became directly involved in the military activities of the Republican camp and often accompanied the Republican army as a reporter for the newspaper Izvestiya. He was also frequently allowed by Stalin to visit Europe to help campaign for peace and socialism.

These two volumes together comprise a pictorial history of the Spanish Civil War, devoted to the Spanish people’s struggle for independence. Each volume contains numerous black-and-white journalistic photographs and illustrations depicting daily village life, families, soldiers, meetings and gatherings, propaganda, war damage, with some graphic images of the dead and wounded. Each of the images is captioned in Cyrillic, many with paragraphs of descriptive text. There are several photographs by noted photographers such as Eli Lotar, Robert Capa, Oples, Reisner, and Chim (David Seymour). Alongside the photographs, the second volume also contains a John Hartfield photomontage and reproductions of numerous political posters. The covers of Volume 1 were designed by Eugene Golyahovsky, and Volume 2 was designed by El Lissitzky and Sophie Lissitzky-Küppers. Scarce institutionally.

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The Crimean War broke out on October 16, 1853 and lasted until early 1856, and was fought initially over the rights of Christian minorities in the Holy Land, which was under the domain of the Ottoman Empire. On one side was the Ottoman Empire allied with Britain, Sardinia, and France, who favored the rights of Roman Catholics. On the other (losing) side was Russia, which favored the Eastern Orthodox Church. While the churches worked out their differences and came to a mutually satisfying agreement, Nicholas I of Russia and Emperor Napoleon III of France both refused to budge. Nicholas issued an ultimatum that the Orthodox subjects of the Empire be placed under his protection. Britain attempted to mediate and managed to arrange a compromise that Nicholas agreed to. However, when the Empire demanded additional changes, Nicholas refused and prepared for war. With the support of France and Britain, the Ottomans declared war on Russia in October 1853.

The war began in the Balkans but battles were carried out at the Black Sea, the Baltic Sea, the Caucasus, the White Sea, and in the North Pacific. Eventually neutral countries began to join the alliance. Isolated and facing invasion from the west if the war went on, Russia sued for peace in March 1856. The war ended with the Treaty of Paris, signed on March 30. As a result, the Black Sea became neutral territory with warships and fortifications completely prohibited, which was a major setback to Russian influence in the region. The Ottoman vassal states of Wallachia and Moldavia became largely independent with Christians granted official equality, and the Orthodox Church regained control of the Christian churches in dispute.

The Battle of Kil-Bouroun (Kinburn) was one of many battles fought during the three years of the Crimean War.  Staged at the tip of the peninsula of Kinburn on the south bank of the Dnieper River near the Crimea, it was the site of an attack by the French and British navies on the Russian outpost there during the final phase of the war. On October 17, 1855, France and Britain attacked the outpost with a fleet of ironclad ships, destroying the fortifications within mere hours and suffering almost no damage. This decisive battle helped to signify the decline of the traditional wooden warship.

F.A. Bernett Books currently has in its inventory a scarce and fascinating portfolio of lithographs commemorating this wintry naval battle, with large and detailed depictions of the ships and the ruined fortifications.

Paris, (François-Edmond). Nos Souvenirs de Kil-Bouroun Pendant l’Hiver Passé Dans le Liman du Dnieper, 1855-1856. A beautiful and rare album comprising title page, a map showing the location of the naval battle of Kil-Bouroun (Kinburn), and 15 chromolithographic plates depicting mostly maritime scenes after the battle along the ice-bound Dnieper River, including inside the fort, disembarking onto the ice, and ruined fortifications, lithographed and colored by Eugene Ciceri and Adolphe Bayot, the ships drawn by Antoine Léon Morel-Fatio, after drawings by Paris. Some details appear to be hand-colored. Some scattered foxing, small stain to inside front cover, a few small tears along binding, spine very slightly shaken. Folio. Full leather, raised spine. Paris (Arthus-Bertrand/Becquet Freres) n.d. (circa 1856). Very scarce; as of October 2017, WorldCat locates only two holdings in North America of this suite. 48752

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