A pronounced regionalism prevailed in the American underground music scene of the late 1970s and early 1980s. In California, the micro-climates of Los Angeles and San Francisco each nurtured a distinctive local take on punk rock. Local fanzines reflected this, with publications like Search & Destroy celebrating the eclecticism of the Bay Area while Slash Magazine spoke to the angular defiance of Melrose and Silverlake. Brad Lapin’s Damage: An Inventory represented itself as a partisan of both communities, and furthermore, sought to connect West Coast punk to developments in Tokyo, Paris, London and elsewhere.